Suddenly, she sat up with a stifled cry. It seemed as if a flash of light had been turned upon her, almost blinding her. The woman did not answer in words. The big tears were rolling down her cheeks. There was no paint to mingle with and mar them. She drew the little metal box from under the pillow and gave it into Joan’s hands.!

They still discussed their various plans for the amelioration and improvement of humanity; but there seemed less need for haste than they had thought. The world, Joan discovered, was not so sad a place as she had judged it. There were chubby, rogue-eyed children; whistling lads and smiling maidens; kindly men with ruddy faces; happy mothers crooning over gurgling babies. There was no call to be fretful and vehement. They would work together in patience and in confidence. God’s sun was everywhere. It needed only that dark places should be opened up and it would enter. “It’s a noble ideal,” he said. “La Patrie! The great Mother. Right or wrong, who shall dare to harm her? Yes, if it was she who rose up in her majesty and called to us.” He laughed. “What does it mean in reality: Germania, Italia, La France, Britannia? Half a score of pompous old muddlers with their fat wives egging them on: sons of the fools before them; talkers who have wormed themselves into power by making frothy speeches and fine promises. My Country!” he laughed again. “Look at them. Can’t you see their swelling paunches and their flabby faces? Half a score of ambitious politicians, gouty old financiers, bald-headed old toffs, with their waxed moustaches and false teeth. That’s what we mean when we talk about ‘My Country’: a pack of selfish, soulless, muddle-headed old men. And whether they’re right or whether they’re wrong, our duty is to fight at their bidding—to bleed for them, to die for them, that they may grow more sleek and prosperous.” He sank back on his pillow with another laugh.

“In what way?” questioned Joan. Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. She stayed over the week-end; and on the Saturday, at her suggestion, they took a long excursion into the country. It was the first time she had ever asked him to take her out. He came down to breakfast in a new suit, and was quite excited. In the car his hand had sought hers shyly, and, feeling her responsive pressure, he had continued to hold it; and they had sat for a long time in silence. She decided not to tell him about Phillips, just yet. He knew of him only from the Tory newspapers and would form a wrong idea. She would bring them together and leave Phillips to make his own way. He would like Phillips when he knew him, she felt sure. He, too, was a people’s man. The torch passed down to him from his old Ironside ancestors, it still glowed. More than once she had seen it leap to flame. In congenial atmosphere, it would burn clear and steadfast. It occurred to her what a delightful solution of her problem, if later on her father could be persuaded to leave Arthur in charge of the works, and come to live with her in London. There was a fine block of flats near Chelsea Church with long views up and down the river. How happy they could be there; the drawing-room in the Adams style with wine-coloured curtains! He was a father any young woman could be proud to take about. Unconsciously she gave his hand an impulsive squeeze. They lunched at an old inn upon the moors; and the landlady, judging from his shy, attentive ways, had begun by addressing her as Madame.